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Ultrasound Studios

1974 API 2488 was custom made for NYC based studio called Plaza Sound on the 8th floor of Radio City Music Hall. In this studio it made many historic records and was used my a lot of iconic musicians, engineers and producers. First thing to mention is the Ramones first album was engineered on it by Rob Freeman in 1976. It also did the first Blondie-Blondie album and Plastic Letters along with the Go-Go's, Beauty and the Beat. Some other albums made on this board were done with the infamous engineer Eddie Kramer doing Ace Frehley (solo album), Twisted Sister singles along with other overdub and traking sessions. Another good one to speak of that put some good time the board is Link Wray doing his album Bullshot along with tracking on many albums with Robert Gordon. This is only a portion of things done on it at Plaza Sound Studios. 

Gear History Info.

The Ramones Recording debut Album Ramones

Ace Frehley Recording solo album W/ Eddie Kramer 

Debbie Harry of Blondie, captured by guitarist and boyfriend Chris Stein in 1976 on the rooftop, during a break from recording their first album.

Blondie's Master from Plaza Sound of Plastic Letters recorded 1977

Don H. - Eric B.

             Another person that owned API was Al Jourgensen from  (Ministry), Haven't getten any info on his uses with it. But will update as soon as I do.

             The owner before I got it was Q-tip from Tribe called Quest. He worked on it for five years producing and creating a lot of influential people. So far the short list I have is of people like. Kanye WestKendrick LamarLady Gaga - Joanne (album), Mariah Carey and Statik Selektah

API 2488 in Q-Tips Studio 

Don H. - Eric B.

2/2/1976: Joey, Johnny, Tommy and Dee Dee roll into Plaza Sound Studios in Radio City Music Hall to record their debut album. Ramones

Stephens 821 A/B 24 track

             The Stephens Electronics company is an interesting one.  Before the company was started John Stephens worked for 3M developing some of the best sounding cards for there current tape machines. Supposedly he was in the shop endlessly just trying to find the best way to make sound. Eventually he came up with an idea to make the tape machine with no pinch rollers so as to stop eating away and wearing out the audio tape as quickly.  3M said no to this design which is what made John break away to start his own electronics company hence, Stephens electronics was born.  

          In the beginning since the majority of what he needed was there to purchased from 3M, he outsourced and used a lot of there elecronics parts. After this happening for long enough  3M stopped allowing him purchase from them. Maybee to not support the competition. This led him into a place where he started to develop his own op amps, tape heads and other needed materials. The motors he used were NASA grade (of the time) in order to have better control  of the action due to not having pinch rollers to control it anymore. The motors in the A series machines were 4 brush. working well but in time led to a 10 brush motor for the B series. Along with lots of other upgrades which I will not mention to release you from all the tech mumbo jumbo. Anyways, our 821  A/B has the 10 Brush motors along with some other parts for the 821B series. But also has some of the parts that are in the 821A. Which makes it the bastard model.

           I adopted this tape machine from the engineer/producer  Geza X. He is a legend in the music world. I met him through the Punk side of things. In the mid to late 70's Geza

was working with and developing bands like  Dead KennedysGermsRedd KrossBlack FlagThe Avengers and The Weirdos.  Eventually leading to doing things like  Meredith Brooks' "Bitch" to Elliott Smith , From a Basement on the Hill. Geza has a true understanding of music, electronics and production from which I admire and learned from a lot. He told me many stories of John Stephens making wish I had met him. One being that NASA gave him the dark side of the moon tapes to try and decipher what might be there to see over there. That alone...... 

         I met Geza X through John Denney. (singer or the Weirdos) Geza was doing some sort of video interview of sorts to all the old LA punks. So we went to meet him at the studio he had at the time called the Vortex were he was doing most of his work at the time. We walked in with Geza X and Don Bolles in there being goofy and getting things ready for the John Denney interview. That was the beginning of the future studio and development projects with Geza X.  Hmmmm. now, with Don Bolles. That's a whole other chapter.

          Now how I know John Denny, whole other story too, I was living in my recording studio at the time with Kevin Rutmanis from the Cows, The Melvins, Tomahawk and Dix Denny from guitar player  the Weirdos. We had a band at the time called Hepatitis. Kind of a noise, art, punk band.  Of course my best friend Zander Schloss from the Circle Jerks was over doing stuff with us in the studio  all the time along with many other iconic weird musicians. The Weirdos had been broken up for years so I had never met Dix's Brother John until one day John got an urge to get band back together. He came into town and from then until forever the studio has become John Denney's home away from New Orleans. 

         Anyways, to make a short story longer. Every time I would end up at the Vortex to meet up with Geza would see an old tape machine tucked away with moving blankets on it.  I kept asking about it and hinting at the fact that I wanted to work with tape was wondering about putting it to use. Of course he said it was broken and after so many attempts to fix it it now lived on the shelf. Well guess after bugging him about it almost 99 times he must have though. What's the worse that can happen, and let me take the Stephens to start my venture of disappointment. After I got it all I did was ask around and try to pick peoples brains on how, who and were for the broken tape machine world. I came to understand that Stephens tape machines are a a very odd and specific taste. Amazing sounding tape machines. But only very few knew even how to get started with working on one.  John Stephens being dead made it a very difficult task. Over time it became a cult following many of whom I'm very glad to have met. Including Dr. Dave Gallo who would be the person to bring this one back to life, and Doug Messenger, another Stephens tape machine owner with many stores on John Stephens as well as people from Van Morrison to Jimi Hendrix.

    After 5 years of struggle. We were finally able to have a working Stephens tape machine. Finally I was able phone Geza exited to tell him the news. He said he wanted to come

over and see it.  I was proud and couldn't wait.

        After such a long struggle and adventure Geza was

going to see. He gave it his long inspection and tests. Of course with me sitting there being nervous for some unknown reason. Then he looked over at me and said "Congradulatios, you're the new owner of a Stephens tape machine".     

Geza X,  Doug Messenger,  Dr. Dave Gallo

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